Atomos Ninja V 5" 4K HDMI Recording Monitor

Brand:	Atomos
Product Code:	AO-ATOMNJAV01

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AtomHDR: With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.

Supported Log Formats

HDR Recording

ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
Canon CLog / CLog2 / Clog3
Fuji F-Log
JVC JLog1
Panasonic Vlog
PQ10k, HLG
RED LogFilm / Log3G10 / Log3G12
Sony SLog / SLog2 / SLog3

HDR Monitoring

ARRI ALEXA Wide Gamut
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Fuji F-Log
JVC LS300
Panasonic V Gamut
Rec. 2100
Rec. 709
RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
Sony SGamut / SGamut3 / SGamut3.cine / BT2020
Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out

4K 60p Capabilities: Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

Audio I/O: Audio can be input and output via the multi-pin locking connector. Separately available breakout cables can provide XLR audio input with 48V phantom power and output. A 3.5mm headphone jack on the side can be used for convenient audio monitoring.

5" Daylight Viewable Screen: The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.

HDR Signal Management: Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.

Anamorphic De-Squeeze: The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.

Edit-Ready Recording: Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.

Expansion Modules: The Ninja V features a bidirectional high-speed video port along with power and audio which allows future expansion modules to increase the Ninja V's capabilities.

Interface
Inputs	1 x HDMI type A, v2.0 1 x 2.5 mm, LANC 1 x 10-pin LEMO, analog audio (also serves as output)
Outputs	1 x HDMI type A, v2.0 1 x 3.5 mm, headphone 1 x 10-pin LEMO, analog audio (also serves as input)

Supported Video Format
Supported Signal	Input: 8/10-bit 4:2:2 (dependent on video source) Output: 8/10-bit 4:2:2 (dependent on video source)
Input/Output Resolutions	HDMI: 4096 x 2160: 60/59.94/50/30/29.97/25/24/23.98 3840 x 2160: 60/59.94/50/30/29.97/25/24/23.98 1080p: 60/59.94/50/30/29.97/25/24/23.98 1080i: 60/50 720p: 60/50
Pulldown Conversion	24/25/30PsF to 24/25/30p (2:2 pulldown) 60i to 24p (3:2 pulldown)
Supported Codecs	Apple ProRes: HQ, 422, LT Avid DNxHR: HQX, HQ, SQ, LB

Supported Audio Formats
HDMI	2- or 8-channel, up to 24-bit (camera dependent)
Signal Level	Line in / mic in / headphone out 2-channel 48 kHz 24-bit
LANC	Supports slave configuration

Recording Media
Master Caddy Dock	Interface: 2.5" SATA to USB 2.0/3.0
Supported Applications	Final Cut Pro X/7+ Avid Media Composer 5.0+ Adobe Premiere 5.5+ Grass Valley EDIUS 6.0+ Sony Vegas Pro 10+ Lightworks Autodesk Smoke 2015
XML Support	FCPX XML native, FCPX/Adobe limited supported with third-party conversion tools

General
Power Requirements	6.2 to 16.8 VDC (battery or DC power input)
Power Consumption	10-19 W
Supported Battery Types	Sony L-series
Battery Life	5200 mAh: Up to 2 hours (monitor and 4K 60p recording) 7800 mAh: Up to 3 hours (monitor and 4K 60p recording)
Construction	Aluminum alloy chassis ABS polycarbonate
Dimensions	5.94 x 3.6 x 1.22" / 15.1 x 9.15 x 3.1 cm
Weight	Without Batteries & Media: 11.3 oz / 320 g

£598.80