Categories
Special Offers
Audio
Bags / Cases / Covers
Batteries & Power
Blank Media & Card Readers
Cables
Camcorders / Cameras
Camera Accessories
Camera Supports
Duplication
Editing
Lenses & Controllers
Lighting & Chroma Key
Live Production
Monitors
Prompters
Signal Processing
Studio & Location Recorders
Tripods & Dolly
Used & Ex Demo
Wireless Transmission
Atomos Ninja V 5" 4K HDMI Recording Monitor
Atomos Ninja V 5" 4K HDMI Recording Monitor
- 1920 x 1200 Touchscreen Display
- 10-Bit Exterior Viewable Monitor
- 4K HDMI Input
- 1000 cd/m² Brightness
- AtomHDR Mode with 10-Stop Dynamic Range
- 10-Bit 4:2:2 ProRes & DNxHR Encoding
- Records to Mini SSDs
- Supports a Variety of Log Formats
- Single Sony L-Series Battery Slot
- AtomHDR
- With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.
- Supported Log Formats
-
- ARRI Log C
- Canon CLog / CLog 2
- Fuji F-Log
- JVC JLog
- Sony SLog2 / SLog3
- Panasonic Vlog
- RED LogFilm
- HDR Recording
-
- ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
- Canon CLog / CLog2 / Clog3
- Fuji F-Log
- JVC JLog1
- Panasonic Vlog
- PQ10k, HLG
- RED LogFilm / Log3G10 / Log3G12
- Sony SLog / SLog2 / SLog3
- HDR Monitoring
-
- ARRI ALEXA Wide Gamut
- Canon Cinema / DCI P3 / DCI P3+ / BT2020
- Fuji F-Log
- JVC LS300
- Panasonic V Gamut
- Rec. 2100
- Rec. 709
- RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
- Sony SGamut / SGamut3 / SGamut3.cine / BT2020
- Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
- Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out
- 4K 60p Capabilities
- Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.
- Audio I/O
- Audio can be input and output via the multi-pin locking connector. Separately available breakout cables can provide XLR audio input with 48V phantom power and output. A 3.5mm headphone jack on the side can be used for convenient audio monitoring.
- 5" Daylight Viewable Screen
- The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.
- HDR Signal Management
- Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.
- Anamorphic De-Squeeze
- The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.
- Edit-Ready Recording
- Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.
- Expansion Modules
- The Ninja V features a bidirectional high-speed video port along with power and audio which allows future expansion modules to increase the Ninja V's capabilities.
Type | 5" |
Resolution | 1920 x 1200 427 ppi |
Video Aspect Ratio | Native: 16:9 |
Brightness | 1000 cd/m² |
Bit Depth | 10-bit |
LUT Support | 3D LUT (.cube file format) |
Interface | |
---|---|
Inputs | 1 x HDMI type A, v2.0 1 x 2.5 mm, LANC 1 x 10-pin LEMO, analog audio (also serves as output) |
Outputs | 1 x HDMI type A, v2.0 1 x 3.5 mm, headphone 1 x 10-pin LEMO, analog audio (also serves as input) |
Supported Video Format | |
---|---|
Supported Signal | Input: 8/10-bit 4:2:2 (dependent on video source) Output: 8/10-bit 4:2:2 (dependent on video source) |
Input/Output Resolutions | HDMI: 4096 x 2160: 60/59.94/50/30/29.97/25/24/23.98 3840 x 2160: 60/59.94/50/30/29.97/25/24/23.98 1080p: 60/59.94/50/30/29.97/25/24/23.98 1080i: 60/50 720p: 60/50 |
Pulldown Conversion | 24/25/30PsF to 24/25/30p (2:2 pulldown) 60i to 24p (3:2 pulldown) |
Supported Codecs | Apple ProRes: HQ, 422, LT Avid DNxHR: HQX, HQ, SQ, LB |
Supported Audio Formats | |
---|---|
HDMI | 2- or 8-channel, up to 24-bit (camera dependent) |
Signal Level | Line in / mic in / headphone out 2-channel 48 kHz 24-bit |
LANC | Supports slave configuration |
Recording Media | |
---|---|
Master Caddy Dock | Interface: 2.5" SATA to USB 2.0/3.0 |
Supported Applications | Final Cut Pro X/7+ Avid Media Composer 5.0+ Adobe Premiere 5.5+ Grass Valley EDIUS 6.0+ Sony Vegas Pro 10+ Lightworks Autodesk Smoke 2015 |
XML Support | FCPX XML native, FCPX/Adobe limited supported with third-party conversion tools |
General | |
---|---|
Power Requirements | 6.2 to 16.8 VDC (battery or DC power input) |
Power Consumption | 10-19 W |
Supported Battery Types | Sony L-series |
Battery Life | 5200 mAh: Up to 2 hours (monitor and 4K 60p recording) 7800 mAh: Up to 3 hours (monitor and 4K 60p recording) |
Construction | Aluminum alloy chassis ABS polycarbonate |
Dimensions | 5.94 x 3.6 x 1.22" / 15.1 x 9.15 x 3.1 cm |
Weight | Without Batteries & Media: 11.3 oz / 320 g |